Final Fantasy XIV Endwalker- Garlemald Day Theme



Garlemald theme in daytime. Clean.
Copyright-Square Enix
Composer- Masayoshi Soken

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29 thoughts on “Final Fantasy XIV Endwalker- Garlemald Day Theme”

  1. I always pictured when we go to Garlemald it would have this sort of "final fight" city theme…but seeing it in it's state and the music, all I feel is sadness for what has happened to it

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  2. So this theme is the same as the (really great) last song featured in the “Job Actions” trailer! Wonder if that song will be a dungeon theme, or possibly just the battle track for this zone?

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  3. I wouldn't have expected going to Garlemald to be a moment of horror and tragedy prior to Zenos killing Varis, but it sure seems like it will be now with this music, plus seemingly what's left of the civilians in the city being huddled up in Tertium because it's one of the very few parts of it that hasn't been reduced to ruin and isn't overrun with monsters, Voidsent, or machina from the civil war

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  4. I'm really loving this theme, it vibes extremely well with the somber Terncliffe theme. There, we had the traditional Garlean theme (dundundun dun dun, DUN DUN) done with extremely melancholy piano, representing how the tyranny of Garlemald has made this city a shell of what it once was. But this has no traditional "Garlean" motifs in it. All the tyranny has been stripped out, because we're in the heart of Garlemald and its capital – these people are supposedly the privileged ones, the people who never had to fear being invaded or suffering from the hands of conquerers, and yet they're suffering.

    While Garlemald has obvious inspiration from Rome (and yes, if you want to make that connection, Nazi Germany as well), I've always seen it as more analogous to the Soviet Union. Having lived in a former Soviet country, the parallels with Ala Mhigo and Baelsar's Wall to East and West Germany and the Iron Curtain, the cultural repression and outright theft of national anthems to "sanitize" them of religious beliefs, and even the architecture (cold, stale, obviously built for practicality and quick construction instead of beauty) reminded me of the Soviet Union. I wouldn't be surprised if most of the Garlean citizenry has had to struggle and scrape to get by, being fed nationalistic propaganda about how they deserve to take over the world, yet never actually getting to see it. While avoiding most of the horror of people in Othard and Ala Mhigo, they're victims of the system themselves, because they're just fuel for the war machine that is Garlemald – and now their home is gone. It's all finally blown up in their faces.

    Garlemald as a nation is a terrible force for evil, led basically by tyrants and set up by an Ascian who used the plight of a people as propaganda to take over the world to make more umbral calamities. But the Garlean people, the common folk who had no choice or say in where they were born and who were pressed into the system, who don't have the resources or the knowledge to seek out anything better, are victims.

    Someone also pointed out the "We Fall" motif in the soundtrack, and that's absolutely gorgeous and chilling at the same time. It fits perfectly.

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  5. This feels like a corruption of the main Shadowbringers piano motif. Considering that Garlemald is the heart of the chaos where Fandaniel and Zenos await, and that both clearly align towards darkness, a fitting parallel then.

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